Moving to Dagu Diaries

We finally got the group blog rolling, so I'm going to be posting to that from now on. The idea is that it will be updated less erratically than this blog, and also provide a wider range of experiences from a very diverse country. See you there!

Lost in the Grass

We've now left our community-based training, and are tying up a few loose ends in the capital before heading out to our respective sites.

I can't say much other than the experience has so far been wonderful. I had a great host family and our training class is full of incredible people. I will have more to say about my site in the near future, and Peace Corps forbids I mention it by name, but it's also very fascinating. Stereotypically remote, it takes 3 days of travel from the capitalm by bush taxi and train - before I get to the 12km hike/bike (interrupted halfway by a short canoe ride) to my village.

The other news is I'll be delivering a speech in Malagasy on behalf of our class at the swearing-in ceremony on Tuesday. The Malagasy culture requires 2/3 of your speech be devoted to appologizing to the audience for speaking in front of them. Luckily, my language instructor helped me litter it with amusing proverbs to keep it interesting. Among them, "Let us not be like the wild boar who, when he visits his father-in-law, is pointed at by his host's lips and then carries his head on his shoulders. Instead, let us be like the little red bird, who whistles at the big brown bird when he visits, and the host sings in turn." The audience in this case, unfortunately, is anyone who happens to be tuned into the Malagasy equivalent of NPR or C-Span. Not a huge deal, but really? Lip pointing? We'll see how it goes over...

But to paraphrase another Malagasy proverb - if the grass is long, the pig is lost and if the blog post is long, the point is lost.

Miss you all!

It's not you. It's me.

Boy, this is awkward.

I have no right to be here, and I know that. I left so suddenly. I didn't even leave a note explaining why I had to leave or where I was going.

But you know I'm no good at apologies, so I'll just skip it if that's alright with you.

Anyways, I'm sorry I left. Just give me another shot. It'll be just like old times.

Well, it might be a little different.

Silly things

These artists seem to be pursuing wealth and fame using the business model pioneered by Alex Tew at the million dollar homepage.

First, there's onethousandpaintings.com, where Swiss artist Sala is selling "unique" paintings of every integer (not number, as she says. I have to nitpick) from 1 to 1000. She calls them unique because each is a different number and she doesn't make copies. I put it in quotes because each uses the same font/color scheme. In her words:

One number, one painting - the number is the art is the limit is the price. Each of the one thousand paintings is unique, showing a number between 1 and 1000. This is an experiment of art and mathematics, on the web, the first of its kind.

The value of each painting is defined by its number (value = 1000 - number). The earlier you buy, the more you save.

She later mentions the minimum price is $40, plus $20-30 shipping.


Next up, via a link on her own site, is theblackcubes.com which is slightly more pretentious. Again, from the site:

I'm making 999 wooden black cubes. Every cube has the same shape, appearence and dimensions (every facet is 20 cm.). The strange thing is that there is something inside the cube!. But nobody can take possession of its real sense, because if the cube is opened this sense is lost irreparably. The cube is the material representation of human curiosity.

[...]



There is a reason for the number of the cubes, 999. If i sell a good number you will know it

• What is it inside the cubes? I can only say that there is something different for every cube, that make your cube unique;
• You can't get its sense if the cube is opened (that means breaking it).
• Every cube is a part of an unique project
• DON'T OPEN IT!!
• Something else will happen to my project some day (when i have sold all cubes)

The price of the cubes is determined by the number of sold cubes; every cube sold the price will increase of 0.50 USD. If you buy now you save your money!

The current price is $85.50 USD.

In both of these cases, no matter how lofty their rhetoric, their greed gets in the way of the message they're supposedly conveying. In the first case, it's obvious that the number is the art is the limit, but is not the price. The $40 minimum interferes with the idea. Not to mention she's trying to buy back popular numbers and sell them again at a profit.

I'm less clear about the black cubes. I feel that their increasing value over time conflicts with my idea of "human curiosity." I don't see how uncertainty adds value to itself over time.I suppose if I buy a pack of baseball cards in 1989 and don't open it, I will be able to sell it at a higher price today. But in that case, it's what the pack contains that gives it value, not the curiosity of the owner. Yes, those 20 cards would be worth less if not in a factory sealed pack. But consider this. If you burgled a house and found a sealed envelope with "20 mint-condition 1989 baseball cards" written on the outside. Would you be able to sell this for more or less money than the sealed pack? Decidedly not. Which would you be more likely to tear open? Probably the envelope. To me, this says that the extra information implied by factory sealed package (they are baseball cards, they are from 1989, they are more likely in mint condition) increases the price. In other words, more information, higher price, but less curiosity.


I guess I can go on as long as I want about hype, artificial demand and over-priced, pretentious art, but they're selling Why does seem that collective action never works the way I want it to?

Suddenly, Everything has Changed

All kinds of good news. The graft went on as scheduled, and now all I have to do is get myself healed. I have extra incentive now, as I found out I got accepted by Michigan Tech to start January 15th. So I'll have a lot to do between now and then. Needless to say, worrying about packing, finding an apartment, or registering classes now seems like a luxury. What's more, the doctor said my prognosis was excellent and that the chances of the cancer recurring are very slight and he'd personally make certain the Peace Corps understands exactly that. So it's just up to me to make sure the second interview goes well. Five weeks ago, my plans seemed to be falling through. Lucky for me, they managed to fall right into place.

Lamest Cancer Survivor, Ever

The path report came back, and all the margins were clear. They did find a pre-cancerous lesion in the scar tissue, but they took enough skin to be sure it won't spread any time soon. The skin graft surgery is scheduled for Wednesday of next week, which is sweet, because that means I can stop watering the plastic covering over the hole in my foot every two hours.

On that note, I was kinda curious about the covering and learned a little bit more about it on the glorious internet. From the FDA (italics mine):

What is it? INTEGRA® Dermal Regeneration Template is a device to treat the skin of people with severe burns. FDA has recently expanded the approved use of this device. I INTEGRA® may now be used to treat the often disabling scars that result from severe burns.

INTEGRA® has two layers. The bottom layer (dermal) is made of a fibrous protein material (collagen) from cows and a substance made from shark cartilage. The top layer (epidermal) is made of silicone

How does it work? When INTEGRA® is placed on a wound where the burned skin or scarred tissue has been removed, it allows blood vessels and other cells to grow a new layer of skin while the collagen is absorbed into the body. The silicone layer helps close the wound and prevent fluid loss. After approximately 14 to 21 days, the silicone layer is removed, and a very thin graft of the patient's own skin (autograft) is applied to the wound area.

So basically I'm now part shark. And I'm cool with that. What I'm not cool with is why my doctor wouldn't tell that to me, a 23 year old male, outright. Why should I have to dig around on the internet before I can tell people I'm some kind of shark mutant? I mean, I've only wanted to be able to say that ever since I was six years old...

Channel Frederator

Among the things my macbook can't do is watch adultswim cartoons on the Fix. See, when I follow that link, I get this:

Whoa, whoa there buddy. Where do you think you're going?

Not with that Mac you're not. The Fix, she don't like Macs.
But we're sweet talking her. Wining and dining her.
Sending appropriately casual yet suggestive IM's. Things will change.

Until then, here's a weekly mini-Fix.
Those chumps with PCs have to sift through all the other crap to find this gem.

While I appreciate their sensitivity to my needs, the mini-Fix does not do the job. Lucky for me, I think I have found a replacement. Meet Channel Frederator. They're the folks who brought you Dexter's Lab, Powerpuff Girls, etc. Now they've got a weekly webcast of user-submitted animated shorts, complete with snarky bumps between episodes. The fact that it is user-submitted means the occasional short can disappoint, but the huge variety of styles and ideas is more often rewarding than annoying. Plus, each week they let the viewers vote on which shorts they liked most, so they can improve their selections in the future.

What I like most of this is that submitting doesn't require agreeing to a verbose license agreement or forfeiting your rights to your work. I'm no lawyer, but the "fine print" seems clear and concise enough for me to understand it:

By submitting this form you agree that this cartoon is your work, you have permission from everyone who worked on the cartoon to submit it, you have composed all the music yourself or have permission to use it, the whole cartoon is original, and you're over 18 years old or have a parent's permission to submit this cartoon. You will retain complete ownership of your work and we will not use your film in any other way without your expressed permission.

Because we want to pack as many cartoons as we can into each episode, Channel Frederator may have to edit or delete your film's credits if we feel they go on way too long. Don't worry, we'll still list them on our Website.

It's a lot of fun, and definitely worth checking out the next time you have 15 minutes.